An early inforgraphic, Charles Minard’s flow map of Napoleon’s March.

An early inforgraphic, Charles Minard’s flow map of Napoleon’s March.

I eat this for breakfast sometimes.

I eat this for breakfast sometimes.

[Flash 9 is required to listen to audio.]

An unedited section of my interview with Joe Taft of the Exotic Feline Rescue Center.

Listen for the lions and tigers!

(via keggersofyore)

(via keggersofyore)

PARTY LYFE

PARTY LYFE

Nana Grizol Plays Basement Show in Bloomington

As the sun went down last Saturday night, a crowded, dusty basement on the west side of Bloomington played host to three tastefully jarring bands.

Local three-piece Pink Houses opened the show, fronted by Defiance Ohio’s upright bassist and vocalist Ryan Woods, who also founded Bloomington’s volunteer-run art and record shop Sweet Hickory. For a fairly upstart band, Pink Houses has it together. Their sound mixes fast, steady drums and discordant vocals with grungy guitar riffs, creating an old-school punk sound with biting lyrical sensibility.

Hitting on a more alternative sound, Bloomington’s Landlord played second. Landlord consists of Chris Mott and Matte Cathcart, members of The Door-Keys, and Will Staler, who plays drums and harmonica for Defiance Ohio. Landlord rages with the fortitude of a punk band, but sounds more like Midwest rock-n-roll with a sprinkling of pop punk vocals and power chords. Pop sensibility and dark, heady riffage make this band worth watching.

To complete the trifecta of bands who share members with Defiance Ohio, Theo Hilton (drummer for Defiance Ohio) was an exuberantfront man in Nana Grizol.

Matte Cathcart, drummer for the Door-Keys and Landlord, rearranged his drums and played his second set of the night in Nana Grizol.

Laura Carter also played along with Cathcart on another set of drums in some songs. She and Robbie Cucciaro, both former members of Neutral Milk Hotel, accounted for the eclectic array of brass and winds instruments that give nana Grizol its jazzy, DIY sound. The energetic, heartfelt lyrics that pour from Hilton’s throat are the crux of every song on their last album, “Love It Love It”, released on Orange Twin.

Bloomington was the band’s third stop on their six-day tour. They played the previous day at Idapalooza in Dowelltown, TN. They will be making pit stops in Chicago, Detroit, and Lexington before ending up back at home in Athens, GA, where the band then plans to begin recording a new album. The album is not yet titled but Nana Grizol’s songsmith Hilton said, “It’s called – ‘we’re really excited about making it’.”

Cliff-diving and Mountain-Climbing in AZ!

Cliff-diving and Mountain-Climbing in AZ!

Atop the Wyndham in Phoenix at ADULT SWIM.

Atop the Wyndham in Phoenix at ADULT SWIM.

Dinosaur Jr. at The Bluebird
4.10.09
Lou Barlow: Hottest old dude in rock n roll.

Dinosaur Jr. at The Bluebird

4.10.09

Lou Barlow: Hottest old dude in rock n roll.

NOBUNNY at the Black Sparrow; Lafayette, IN.
The venue was shit. We arrived at nearly 11 and nothing had begun. It was cramped as hell and the tallboys were $3. The crowd was lacklustre.
I believe the first band played at 12 or 12:30. Ryan Pits & the Boy Toys, that was their name. They were alright. Simple pop-punk. The show would have been better without that set. They had a slew of young ladies and a crowd that kept yelling “SPRING BREAK!!!”. I guess it was then that I realized the Lafayette music scene isn’t worth a damn. So many good bands come through because it’s a cheap place to hit Indiana when coming from Chicago. Makes sense on tour, I suppose.
The Smith Westerns played a set on their own, then as Nobunny’s backing band. They’re from Chicago, four dudes - ages 17 & 18. They sound like young outsider punk/power pop/rock n roll. The show was free, but I’d pay to see them again, young as they are. They’re onto something.
As far as the shoe-gaze/garage-rock-influenced ‘shitgaze’ genre goes, Nobunny has it down with his album Love Visions. Aside from an interesting performance, this guy’s tunes are as solid as 4/4 time.

NOBUNNY at the Black Sparrow; Lafayette, IN.

The venue was shit. We arrived at nearly 11 and nothing had begun. It was cramped as hell and the tallboys were $3. The crowd was lacklustre.

I believe the first band played at 12 or 12:30. Ryan Pits & the Boy Toys, that was their name. They were alright. Simple pop-punk. The show would have been better without that set. They had a slew of young ladies and a crowd that kept yelling “SPRING BREAK!!!”. I guess it was then that I realized the Lafayette music scene isn’t worth a damn. So many good bands come through because it’s a cheap place to hit Indiana when coming from Chicago. Makes sense on tour, I suppose.

The Smith Westerns played a set on their own, then as Nobunny’s backing band. They’re from Chicago, four dudes - ages 17 & 18. They sound like young outsider punk/power pop/rock n roll. The show was free, but I’d pay to see them again, young as they are. They’re onto something.

As far as the shoe-gaze/garage-rock-influenced ‘shitgaze’ genre goes, Nobunny has it down with his album Love Visions. Aside from an interesting performance, this guy’s tunes are as solid as 4/4 time.